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Ariosto's Threshold Patron: Isabella d'Este in the "Orlando Furioso"

• Authors : Regan, Lisa K.

• Source: MLN, 2005 Jan 01. 120(1), 50-69.

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In Praise of Vulgarity: On Yiddish in Isaac Bashevis Singer's “Di makhsheyfeh”

• Authors : Gil, Noam

• Source: Prooftexts, 2018 Jan 01. 37(1), 86-101.

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A Tradition of Rising [1963 et al.]/I, Too, Sing America/Tribute/Hymn #590: Sabbath Riots/Hymn #643: Split

• Source: Transition, 2018 Jan 01(125), 71-75.

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Unemending the Emendation of "Still" in Shakespeare's Sonnet 106

• Authors : Go, Kenji

• Source: Studies in Philology, 2001 Jan 01. 98(1), 114-142.

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From Shaka's Court to the Trade Union Rally: Praises in a Usable Past

• Authors : Chapman, Michael

• Source: Research in African Literatures, 1999 Apr 01. 30(1), 34-43.

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Flowers on the Battlefield Are More Fragrant

• Source: Asian Music, 2007 Jan 01. 38(1), 88-122.

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"Metaphor Is a Bridge to Ultimate Reality": Metaphor in Hausa Women's Poetry

• Authors : Mack, Beverly B.

• Source: Research in African Literatures, 2006 Jul 01. 37(2), 43-60.

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The Figure of Echo in the "Homeric Hymn to Pan"

• Authors : Germany, Robert

• Source: The American Journal of Philology, 2005 Jul 01. 126(2), 187-208.

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The Pedagogy of Polyphony in Gabriel Sagard's Histoire du Canada

• Authors : BLOECHL, OLIVIA A.

• Source: The Journal of Musicology, 2005 Jul . 22(3), 365-411.

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The Form and Function of the Song of Moses (Deuteronomy 32:1-43)

• Authors : Thiessen, Matthew

• Source: Journal of Biblical Literature, 2004 Oct 01. 123(3), 401-424.

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